The only reason I’m an actor is that a lady pulled out of a parking space in front of a producer’s office.
I do not like the feeling that I experience when people talk about how much ‘Lost’ sucked. I can no longer acknowledge it. I spent three years acknowledging it. I hear you. I understand. I get it. I’m not in denial about it.
Damon Lindelof, one of the writers of Lost, speaking to Taffy Brodesser-Akner in an interview for The New York Times Magazine.
As someone who had a similar early career, I’m fascinated by his story.
I hate almost all awards shows.1 The one exception has always been the Academy Awards.
I’ve watched the Oscars every year for as long as I can remember. To those who know me as a movie buff, this shouldn’t be surprising. Still, I can’t stand the Golden Globes or that various other pageants you can find on random television stations during awards season. But the Academy Awards always seemed special to me. Beyond reproach.
But I fear I’m starting to lose that loving feeling.
I’ve been thinking about the new Spike Jonze film Her quite a bit recently. I really enjoyed it when I saw it last week, but the more I think about it, the more I like it. It’s one of those films that sticks with you and grows in your head. The best kind of film, in my opinion.
When I first heard the premise of the movie, it raised some obvious red flags. A guy falls in love with his Siri-like operating system. Oh boy. Assuming the plot wasn’t a joke being spread to obfuscate the real plot, the liklihood of such a film falling flat on its face seemed very high. Hollywood is generally incompetent when it comes to films about technology. And trying to mix emotion with technology sounded like a recipe for a total disaster.
And yet, Her turned out brilliantly.